Successful diplomas to date...
March 2025
David Sowerbutts WGDP
General Diploma
Good news! We have another successful WCC diploma to be awarded.
David Sowerbutts has worked hard and with great diligence over many months to capture a wide range of images for his Diploma in General Photography.
Here are a few comments from the Assessors about David’s images…..
“An excellent example of what we look for. The panel works very well together and shows a well-balanced, varied and interesting selection.
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Beautifully handled. Concentrating on the energy of the conflict and the direct connection between the two birds.
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Good example of slow shutter speed. Colours rich and suited to subject.
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Excellent and humorous.
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This is all about the unusual lighting which has been caught by David's chosen style of post-production.
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Bee, excellent. This is not 'Natural History' but is a good example of close-up work.
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Beautiful selective focus.
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Fascinating subject suitable for David's processing showing fine details.
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Good composition with a lovely moment.
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A well seen, quiet scene.
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Well-handled light and the crunchy details are suitably to this theme”.
The WCC Diploma Scheme allows each participant to work at their own pace. As they make progress, the Adviser assigned to each participant offers constructive comments and critique to guide them along the pathway to success.
Many WCC members have gained the diploma. For more information about the Scheme including details about General and Advanced levels, please visit the Diploma link in the Members Area. Examples of successful diplomas are also upon the Club website.
Clive Haynes FRPS
WCC Diploma Scheme Coordinator.
From David’s point of view…..
“I joined the Camera Club in September 2022 and soon afterwards set out on achieving the club general diploma as a way to spur me on to improve my photographic skills. With Clive’s expert support and guidance, and often patience, I was able to work at my own pace, learning a great deal as I went. Thank you, Clive.
I have found the experience both challenging and rewarding and an invaluable for me in developing, and most importantly enjoying my photography. I would recommend this process to any club member in a similar position. I also value being a member of WCC and the interaction with fellow members who are always ready to help.
Now to the next challenge…..”
September 2024
Frank Lauriello WGDP
General Diploma
A selection of comments from the Assessors …..
April 2023
Tineke Morgan WGDP
General Diploma
A selection of comments from the Assessors …..
#1. The painter is a nice study of an artist in action. We can sense the concentration as she applies ink to the paper in the most complex patterns.
#4. Well produced. The composition is good and the technical quality is excellent. The close bond between mother and baby is evident with mum being vigilant and protective while urging her baby to explore the possibilities of life - well, of sand in this instance!
#5. A well framed image and a good support for the rh side of the panel. It’s always difficult to photograph in this direct strong sunlight but Tineke has done well to produce an image with so much detail. A nice tranquil photograph.
#8. A competent floral still-life with an elegant simplicity and gentle colour harmony.
“Tineke has produced an interesting set of photographs, varied in subject matter and approach”.
Bob Train, Tineke’s Adviser says …..
“Tineke's determination and ambition has meant that she has learned the techniques required to produce her panel. It has been a pleasure to work with her as she has accepted my challenges and developed her skill. She has a great eye for a shot . Now on to the next project Tineke!”
Tineke says, …..
I joined the Worcestershire Camera Club in January 2019.
I’ve worked at my own pace towards my General Diploma.
I would like to say thank you to Clive Haynes and Bob Train for their support, their positive critique and the ongoing guidance for me to complete my diploma. Thank you very much.
I also received a lot of support from skilled and experienced members of the club. They were all very helpful. Thank you very much.
Now, I am looking forward to my next challenge and prepare myself for a Specialised Diploma.
I am very grateful and proud to be a member of the family of the Worcestershire Camera Club.
Thank you.
April 2023
Nick Baldwin WSDP2 (Black & White)
Specialised Diploma
London Southbank Images
My comfort zone is colour landscape images. I started this diploma thinking I could create black and white images of the same subjects. I quickly learnt that making good black and white images required a different approach. I also learnt that buildings can make good black and white subjects.
I am spending a lot of time in London looking after our granddaughter, so I turned my attention to cityscapes around the River Thames. These images are my take on the sights photographed by the many tourists that are a feature of the Southbank and City of London.
Selection of Assessors comments…..
“This is an interesting set of images of well-known London buildings and views. Technically they have all been well handled, despite many being taken in very strong lighting conditions”.
“Nick has succeeded very well in accomplishing the intention of his ‘statement’.
A very accomplished and well put together panel showing both taking and processing skills of the highest order. It shows a very clear understanding of the particular approaches required to achieve good quality black and white results. There is clever use of shape, texture and line, allied with a skilful processing technique which adjusts and modifies tonal range where necessary so that the viewer’s eye is directed where the photographer wants it to go. I also admire the astute use of formatting size to ensure that the images sit well together as a panel. An undoubted success and a very fine representation of the chosen part of the city”.
“Nick's panel is well balanced and has images that have been chosen carefully to produce a cohesive and visually pleasing whole.
“He’s produced a series of images that convey a specific mood and tone with a mix of images that are related to the common theme of urban landscapes”.
“In summary, the panel is thoughtfully put together, visually striking and emotionally resonant”.
February 2023
Andy Harrison WGDP
General Diploma
Assessors Comments
An impressive collection of images, with a delightful diversity of subjects. He has sought fresh points of view, finding best advantage in unusual image content.
All images are well taken, well controlled and show an understanding of camera-craft. Also evident is an individual photographer's input with Andy's personal style asserting itself.
An excellent example of a WCC General Diploma.
A good, varied panel which deserves the Diploma.
Not easy to capture, Tower Bridge at night is particularly interesting.’ ‘...The queue at twilight’ might be considered a ‘risky image’ at this level of photography. However, the assessors were impressed by the degree of ‘risk-taking’ and confidence to submit this style of picture. ‘Intent’ is important, and this was clearly expressed.’
August 2022
Simon Brzeski WGDP
General Diploma
Assessors Comments
‘This is a good set of varied images showing a broad sweep of skills. Simon’s technical ability is clear, and his choice of subjects is strong. This is an enjoyable set of images well worthy of the diploma’.
‘A fine selection of pictures. Simon’s ability to ‘see’ a picture is underpinned by his firm understanding of camera-craft and processing skills. The image of the swan is particularly outstanding’.
‘Simon has demonstrated he can put together an interesting and balanced panel. The individual images are very good and show that he can manage his camera well to produce photographs of a wide range of subjects’.
‘A good set of pictures with a nice variation of subject matter which easily meet the criteria for a pass. Simon has done well with this interesting selection’.
‘The panel is excellent, with a good range of techniques and a very high standard of photography and processing. Well up to the standard we require’.
‘A good range of subjects and techniques with demonstration of skilful use of the camera. Definitely a pass’.
January 2022
Bob Oakley WSDP
Diploma in Audio Visual
CROSSING THE CONWY AV by Bob Oakley
I joined the WCC AV Group in 2018 knowing nothing about how to make an AV.
My first attempt was “Oxford Town & Gown” in Feb 2019. It had no dialogue, the pictures were interesting but in no particular order and did not tell a story. Perhaps one of the best parts was the music. I had worked out how to use the software (PTE AV Studio) to produce the AV but that was about it. There was a lot for me to learn and I am grateful to Barrie Glover, Dick Sabey & Peter Young all of whom gave me initial advice on how to proceed to make a better AV. I also watched lots of AV’s that others had produced both in our own AV Group but also from national and regional AV competitions and from Andrew Gagg’s U3A AV Group to which I also belong.
Since those early days I have completed a further 25 Avs. One of those was called
“The Last Resort” and was about a very wet & windy New Year in Exmouth. I entered this into the IAC Regional AV competition last year and it was Commended by the judge even though she came from Exmouth and had once run a hotel there!
I August 2021 Susan & I had a few days in Llandudno . When Eric Williams heard we were going he set me a challenge to make an AV about the suspension bridge across the River Conwy built by Thomas Telford. My initial reaction was to say that we were not going to Conwy and would not have our own transport. However, once we had been in Llandudno a couple of days I discovered that there was a bus I could use to get to Conwy so I jumped on board and took pictures of the Telford Bridge, the castle, the town and the river. I decided that it would be possible to make the AV but that I would have to expand the brief to include all three bridges that crossed the river
In September 2021 I registered for the WCC Specialist Diploma in AVs and Andrew Gagg became my mentor for the project. The rules stipulate that previous AVs cannot be used for the Diploma and so I had to make a new AV produced after the registration date. “Crossing the Conwy” was to be the new AV that I would use. I had the pictures I had taken at Conwy but then had to come up with a workable storyline which is an essential initial task. Appropriate images are then needed to to fit the script. With an historical subject such as this there is sometimes a need to use 3rd party images. The rules allow this but lay down limits on either the number of 3rd party images or in the case of WCC the total running time on screen of those images. In this case I needed an image of Thomas Telford, some maps and a few other images which it would for historical reasons have been impossible for me to take.
With the script typed out I opened the software and imported the images. Some didn’t work, others needed to have the order changed in the timeline and in others I noticed some editing was needed.
A good title image was found and the name of the AV applied in Photoshop. I decided that there were several events that needed to be separated with black slides to mark the change from one major event in the history of the the three bridges to the next. A good ending was needed and in this case I linked Thomas Telford who built the first bridge to Telford New Town in Shropshire.
Next I turned attention to the script. It’s a good idea to read the script out loud to yourself to see how the words flow and whether some changes are needed because some words are not the same in the written word as they are when spoken – e.g. “do not” usually becomes “don’t” when spoken. With the script altered if necessary it can be recorded. In my case I used a Zoom H2N recorder mounted on a table tripod and broke the script into bite sized chunks each with a number corresponding to where they should appear in the timeline. The completed spoken dialogue was then transferred to the free audio program Audacity, edited and broken up into smaller files for each place number in the script. I find this for me is the best way to be able to move the bits of dialogue along the timeline.
Consideration was then given to sound effects that would be linked to the railway bridge and to the 1950’s road bridge. These sound effects were obtained from the Internet. Background Music was then needed to play throughout the AV to give it some unity. The volume of this music (played on a harp) was adjusted in the appropriate places to allow sound effect and/or dialogue to come to the fore where it needed to.
With everything in place I was then ready to play the AV to see what the overall effect was. This necessitated further changes to the image order, the fading in/out of those images and changes to the music timeline. I was then ready to show the AV to Andrew Gagg’s U3A AV Group. Up to that point I had not discussed anything with Andrew. His initial reaction was favourable but he suggested a few further tweaks. I feel that if you are making an AV and have a mentor especially one with the experience of Andrew it pays to take notice of that advice because small things can change an AV from one that is just OK to one that is much better. I am very grateful to Andrew for that advice.
After several versions I submitted the final version to Clive Haynes for consideration by the assessors for the diploma award and am very pleased to have been successful. Chairman Nigel Reader presented me with the certificate on 14th of January.
Bob Oakley. 21st January 2022
View Bob's AV here: Crossing the Conwy
June 2022
Lucy Allum WGDP
General Diploma
Assessors' Comments:
We’re very pleased to announce Lucy Allum’s success with her WCC Diploma in General Photography.
Although for convention, a ‘panel layout’ is included, Lucy never intended her set to be a ‘print panel’, therefore, formal presentational balance wasn’t something she was strongly considering. For Lucy, her photography and expression is ‘about the image’.
Here are a few remarks from the assessors…………
“There’s a delightful variety of work”.
“Her seeing eye is very good indeed”.
“Good and appropriate use of camera techniques”.
“The swan’s white feathers: no burn-out, making a good image and cropped to effect”.
“I especially enjoy the discarded bouquet sadly floating in canal. … I like the thin film of oil / diesel framing the discarded bouquet, reminding us that fossil fuels originate from vegetation. A striking image, well seen and fits well in Lucy’s portfolio”.
“This is classic Lucy - multi-exposure of trees! I really like this photo for its simplicity but also for its complexity. Good use of colour and a dynamic composition”.
“Trees and reflections - perfect!. Nicely captured and good exposure”.
“I’ve walked past this canal-side mural many times and it does carry a pertinent eco-message. Good composition of the artwork in its location and exposure handled nicely”.
“Lovely still life - you can almost smell the planed wood”.
“Evening sun, flooded river-time for the Cathedral. The classic shot from Worcester Bridge provides a good balanced and well exposed photo”.
“Lucy has demonstrated that she can manage her camera well and has chosen interesting and different genre for her diploma submission”.
Sally-Ann Hathaway-Timms WGDP
Diploma in General Photography
A Selection of comments from the Assessors:-
Sally-Ann’s diploma submission was predominately based on portraits, which were excellent. These were balanced with some lovely, misty landscapes which added contrast to a delightful set of photographs”.
This is a really lovely panel which shows a good range of photographic techniques and some excellent photography.
A beautiful, well balanced, cohesive panel! Sally-Ann’s choice of subject matter shows good camera skills, ability to capture the moment, seeing and a creative eye. Here’s competence with elegant portrait photography, using both natural light and a studio set-up. Her misty landscape images were not only a delight but were quite exquisite, giv- ing an atmospherically mystical feeling! I enjoyed the middle picture of hoar frost on fencing, many photographers may have passed by. One standout image for me was of her daughter, the little girl in blue, running, her head turned, sideways set against a seaside back-drop. There is a real sense of the joy of childhood in this image, captured so well! Well done and well deserved, Sally-Ann!
This is a lovely, balanced panel from Sally-Ann which demonstrates her capabilities as a photographer. The softer surrounding images are offset by the harsh wire fence covered in spiky hoar frost, a juxtaposition that works for many people. I particularly like #10 with the dancer’s leg, arm, hair and satin scarf all aligned in parallel to produce a rather pleasing image.
A few words from Sally-Ann ...........
“Participating in the General Diploma Scheme has been a great way for me to develop my interest in photography. I have learnt so many new skills as a result and have thoroughly enjoyed the whole process.
I am very grateful to the club members who have offered support and in particular the help and guidance of Clive, which has been invaluable on my photography journey so far!
I would strongly encourage others to participate in the Diploma Scheme. I am now looking forward to embarking on a Specialised Diploma”
Richard Handley WGDP
Diploma in General Photography
Assessors' Comments:
Richard presents a variety of subject matter and an understanding of different camera settings, including fast and slow shutter speeds. There is also evidence of sympathetic post- production skills to give the images a good, but natural boost. Richard obviously enjoys taking some nature images and these have been successful, such as the Chaffinch, with a beautiful soft background allowing the subject to really stand out. The wheel-hub reflection of the Morgan shows a good seeing eye where others might walk past, resulting in an exciting image. The violin image, ‘Fiddling’, shows confidence to crop the image in an exciting way to direct our eye towards the violin. It was obviously not posed with evidence of the slightly blurry bow and broken hair from the bow, which adds to the authenticity of the image.
‘Tea Time’ ……. A good portrait of a chap having a cuppa. The exposure and depth of field is excellent, which provides clarity of detail right down to the tea stains in the mug.
‘Woman at the Spinning Wheel’ ….. interesting subject, good composition, and good exposure. The correct shutter speed was essential to portray the movement of the wheel, the bobbins and the spinner's right hand. This contrasts well to the rest of the scene.
Lovely portrait of a bald eagle. It's easy to get blown-out highlights in white feathers and Richard’s managed to avoid this successfully. A lovely image as a finalé to the set of PDIs.
This is a good set of images that demonstrates that Richard understands the essence of photography and what makes a good picture. He has presented a wide range of subjects, differing techniques and composition.
Richard says . . .
“I've been a hobby photographer for many years and am largely self-taught. I saw the opportunity to undertake the diploma as an excellent way to further improve my knowledge and skills, particularly as the support offered focuses on the practical aspects of delivering good photos. I also valued being able to set my own timetable and work at my own pace.
The mentoring and support offered throughout exceeded my expectations, with individuals willingly giving their time to share their own experience and provide guidance.
I'm pleased with my final panel and look forward to further practising and developing my photography skills”.
Doug Allen WGDP
Diploma in General Photography
Assessors' Comments:
............... Doug has demonstrated that he has a good seeing eye and empathy with the coastal landscape.
............Overall, Doug’s use of light and varying viewpoints brought this themed General Diploma submission to life. His choice to include a panel and statement was laudable and the mix of mono and colour images was very successful.
........... Doug’s successful panel is of a consistently high standard. The choice of keeping to a tight theme has worked well and the panel is well balanced. The colour images on the bottom row are beautifully handled with both the exposure and the long shutter speed contributing to the images.
The structures themselves are well displayed and meet his statement of intent.
............ the set of images shows a good mix of colour and mono coast and seascapes. His balance of slow shutter-speed and conventional pictures works well, adding both ‘artistic’ and ‘contemporary’ touches to the submission.
Here's what Doug has to say about his journey towards success:
“Working on a WCC diploma enhanced my awareness about what to look out for in a photograph - so it’s not just a snapshot. It encouraged me to get out there with my camera and take images but also to reflect upon the composition and consider the camera settings.
I found the processing of images to be as challenging as taking the photographs.
I received valuable advice about some over-processing in a couple of pictures, how to correct an image with colour-cast in the foreground and recommendations about good cloning practice. I learned a lot about how to construct a panel and would I like to thank Eric for his time and support, Clive and the other assessors for running the scheme. I am now considering registering for the Landscape Diploma as we come out of lockdown and the countryside opens up again”.
Steve Chilton WGDP
Diploma in General Photography
Assessors' Comments:
The panel shows evidence of a good range of techniques and a suitable variety of subjects. Overall the presentation was thought to be a good mix of subjects and to the standard required for the General Diploma.
Steve writes:
"I decided to participate in the diploma scheme as a vehicle to improve my photography. My preferred genre of photography is Landscape photography, however I hoped the selection of the final ten images contained within my panel were sufficiently varied in both subject matter, style and lighting, with some outside my comfort zone.
Whilst the diploma has at times challenged me, it has been an opportunity, not just to gain more skills, but to look at my photography in new and interesting ways. I can't recommend participation in the diploma scheme highly enough. I cannot finish without praise for the mentoring. I thank Martin and Clive for their time, advice and patience."
Wiola Ryczkowska WGDP
Assessor's Comments:
- A most interesting and individualistic panel which strongly reveals original artistic seeing.
- An excellent variety of subjects with many from not obvious sources.
- Wiola's photography has progressed well from the start of her photographic journey, showing strong evidence of an 'artistic photographer’s eye'.
Wiola writes:
"It took me 2 years to succeed and achieve the Diploma in General Photography. It was longer and harder than I thought but absolutely worth it.
I have never met tutors so patient and helpful before, I would not have made it without them. The support is amazing. I would recommend this programme to everyone in the club".
Susan Lewis WGDP
Assessor's Comments:
- A well presented panel offering variety and ways of seeing.
- Good range of imagery from action to abstract and from different atmospheric conditions to humour (the cow amongst the cow-parsley)
- The lacy pattern with its complex shadow is very well seen.
Susan writes:
"I signed up for the WCC General Diploma in January 2017. I was full of enthusiasm. Unfortunately, other aspects of my life got in the way and I was not able to devote the time needed to improve my photography. Consequently, when I entered my first panel for assessment in December 2017 I had a 'referral' - four of my images were not up to scratch.
I decided to go back to the drawing board.
During the last year I have had more time to devote to my photography and have greatly improved my camera and technical skills.
It has been a long journey but finally in February 2019 my new panel has been successful.
The WCC Diploma Scheme is to be commended and I am now fired up to work on a specialised subject and even an LRPS.
I would like to thank Maddy for her early mentoring, Judy for her tuition in Lightroom, Tessa for her gentle and positive critique and Clive for encouraging me “to get on with it!"
Nick Baldwin WGDP
Assessor's Comments:
- Well balanced panel of landscapes. Each image has a 'feeling of place'.
- Variety is conveyed through lighting differences and the 'intimate landscape' of the stream.
- The well considered combination of both colour and the monochrome prints works to good effect.
Nick writes:
"I joined the Club primarily because I want to improve my photography skills. Soon after joining I entered a couple of pictures into the PDI competition and got some positive feedback. Being keen to learn I realised that the best way to improve was to enter the Diploma scheme. This gave me the necessary focus for improving my technical camera skills and learning new artistic skills needed for composition, processing and using monochrome.
I normally process my images in Lightroom but soon learnt that I needed to do more to bring my images to life. I got lots of helpful advice from Judy Knights, my Advisor, who spent time showing me how to improve my images using Photoshop and Nik filters. As I selected images for my panel I received helpful critiques and some more Photoshop techniques from Clive Haynes and Jayne Winter. Having successfully gained my General Diploma I’m keen to start on a WCC Specialised Diploma".
January 2019
Lawrence Keen
Assessors' Comments: The images displayed good seeing and variety. The railway image is full of energy and power, whilst in contrast the prison yard provides an example of a personal response and 'intuitive seeing'. The 'dark sky' image complete with stars and a well illuminated landscape is very well done, whilst in contrast, dawn along the riverside is beautifully and lyrically portrayed. Lawrence has worked diligently to present a good range of pictures to illustrate the required level of competence to gain the General Diploma. Many congratulations to Lawrence, who can now add WGDP to his name!
Lawrence writes:
"Very much a novice, I joined the club around 18 months ago with the hope of developing my interest in photography which I have held for many years. About a year ago I read up about the diploma scheme and I immediately decided that I should enrol and during the year I contacted the team and started to submit images for critique, this is where I really started to understand the quality and composition the images require. The help and advice available both from the diploma team and that gleaned from attending the Thursday specialist meetings have been invaluable in me attaining my diploma.
Special thanks to Clive & particularly Maddy for the advice and direction given in response to many emails. As my knowledge and confidence develops I have no hesitation in moving on to a specialist diploma and recommending other members to join the scheme."
February 2018
Some comments from the assessors:
- Good illustrations, with a variety of subjects.
- Appropriate and balanced mix of subjects included architecture, animals, portrait and an action shot.
- The fair-ground ride shows excitement and real enthusiasm from the subjects.
- A well caught moment and interestingly positioned in the frame.
- Central abstracted mono worked well.
Paul's thoughts...
Like many amateurs I have been happy to bump along taking pictures for years. Some in my opinion good, some not so good. I joined the WCC a couple of years ago and found that I lacked many of the basic skills. Competition nights were a particular wake-up call. When the Diploma scheme came along I had two choices: carrying on as before or break out into the unknown and have a go. The experience was at times challenging to say the least as I could not use any of my previous images, I had to go out and start again. It took a number of months to come up with my first five images. By September, I had what I thought were 10 reasonable photographs to work on. After discussions with my mentors, I realised I had more work to do to create a balanced set. Eventually I made it. A big thank you to Maddy and Clive for their time and patience, as well as other members of the Club who kept me going.
Diplomas from Catherine Lane, Val Dawson, & Keith Norrington
From Clive Haynes FRPS, WCC Diploma Scheme Co-ordinator
"It was good to see four diverse panels which successfully illustrated the craft skills and 'seeing' required for this level of photography, plus evidence of an individual approach. The four successful participants had worked hard and taken advantage of advice and support given. They are now ready to move on to the next level and choose a Specialist Topic within the scheme. Our hearty congratulations to them all."
Catherine Lane WGDP
Val Dawson WGDP
Keith Norrington WGDP
Specialised Diplomas
Lawrence Keen
Specialised Diploma in Landscape Photography
Assessors were unanimous in awarding the Specialised Diploma to Lawrence
Here are some extracts from the Assessors remarks.
.....Lawrence has done a great job, taking the last round of comments and applying the suggestions to his panel. The photography and presentation is excellent and he should be congratulated on his work.
..... this a good, clean and well laid out panel. All the images are sharp and well presented. It meets the criteria for a Specialist Diploma in Landscape Photography.
..... many images are superb including ‘Menai Suspension Bridge’, ‘Storm’, ‘Sunrise’ and ‘The
Prince of Wales Bridge’.
..... a very well presented and thoughtful panel with good variety
Lawrence says:-
Spending time in the varied landscape of the UK is one of my favourite pastimes and I was
eager to concentrate on this for my specialised diploma, I have included images from various seasons, high mountains & moorland, to rivers, bridges and coastal locations.
After compiling my first panel many changes were made as I looked more closely at the photos composition, exposure and relationship to the other surrounding images. During this process I received assistance from various club members that were happy to spend some of their time helping me to reach the required standards.
Working on this diploma over the 18 months has helped enormously with both the
composition and taking of images plus post processing activity. With all of the problems this year of lockdown and limited travel I slowed to a halt and following my submission was extremely pleased with the help & support I received from the diploma team to complete my panel. I would recommend other members to engage in this scheme, it has really helped to improve my photography.
Angie Hill
Specialised Diploma in Landscape Photography
Assessors were unanimous in awarding the Specialised Diploma to Angie.
Extracts from Assessors comments when evaluating the panel
...................Angie’s landscape diploma panel is just beautiful and it’s evident that she has put an enormous amount of work into creating it. The subject matter is delightful, her composition is good and her use of light is excellent. She has certainly summoned up her genius loci to create this panel!
..................Angie’s panel includes many beautiful landscapes and they reflect her love of the outdoors and nature. The rolling hillsides are very typical of the Worcestershire/Herefordshire area and are rendered beautifully. The use of light has been handled very well in the panel and shows good craft skills. Overall an excellent panel.
..................The panel has a wonderful feel to it. The images really do bring over the warmth and the colour of the Worcestershire landscape. The Statement of Intent is excellent and most of the images really do convey the idea of 'tracks that thread their way through the landscape'.
...................We experience the warmth and harmony and the inspiration Angie gained from the landscape, expressed through a most sympathetic and loving interpretation. The images most definitely achieve the standard required.
Angie says:-
Landscape is a subject very close to my heart and has featured heavily in my artwork & photography since college days in the late 1960s, so choosing to do the specialist Landscape Diploma seemed the obvious choice for me. It enabled me to focus my attention on it with a greater intensity while at the same time improving my photographic practice. I am fortunate to live in a very beautiful part of Worcs. Its rivers, rolling hills, Iron age Hillforts, steep-sided, wooded valleys and pasture are a constant inspiration to me.
Walking the network of ancient tracks that thread their way through the land has become an integral part of the whole creative process. I walk almost every day and usually have my camera with me. My intention is to convey, in my images, the emotion I feel and my personal response to the spirit of place. Most of the photographs in my panel were taken within a 15 mile radius of home with only three taken over the border in neighbouring counties.
I would like to thank everyone in the club who has helped me along the way. Their generously given, expert advice has definitely helped improve my work, especially the technical side.
Through working for the Diploma I have had many memorable moments and have thoroughly enjoyed the journey so far. I look forward to the next chapter!
Jeff Steady
Specialised Diploma in Nature Photography
Jeff says . . . .
I am delighted to have been awarded the club’s specialised diploma in nature photography.
Largely self-taught as far as taking wildlife pictures is concerned, my first attempt at presenting a diploma panel was not successful. In particular, there was a rather a lot I needed to learn in the areas of processing, selection and presentation of my images. In those important disciplines I have gained generous input from a range of fellow club members. My huge thanks to them. What they have instilled in me will be of lasting benefit.
It will be evident I think through my panel that this has been very much a love affair with this wildlife photography genre. It goes along with my life-long love of the great outdoors, of wildlife, and birds not least, of travel and a touch of adventure. I wanted images that inspired me and perhaps reflected something of my life and loves, as well as reaching the required standard.
Attempting the diploma gave me every reason to get out and about. One outing took me, travelling alone, to a lodge on a forest river in Borneo. Another found me surrounded by a profusion of wildlife beyond Georgetown in The Gambia. Yet some of the best images in the panel are simply local.
It has certainly been a lot of fun and it has surely moved my nature photography forward.
Susan Lewis WSDP
Specialised Diploma in Abstract & Pattern Photography
Assessors' Comments:
Susan's statement was interesting, emphasising how intriguing 'abstracts and patterns' can be explored by observing the forms of nature. The images invite the viewer to look closer and appreciate the finer details. The overall colours harmonised well, creating a attractive panel layout.
Susan writes:
"Over the last eight months I have been spending time in our countryside and on our coastline and waterways looking for subjects to abstract some interesting images from. I have entitled this panel ‘Abstract in Nature’ as all my images are derived from either natural occurrences in nature or where I have seen interesting light, texture, colour or shape for abstraction.
I have thoroughly enjoyed working on my Abstract and Pattern Diploma. It has taken me eight months to complete but has been well worthwhile. The challenge of looking in depth at things around you and seeing beyond what is actually in front of you is essential.
I would like to thank Ruth, Tessa and John for their advice and constructive criticism over the last few months. The help given by the more experienced photographers in WCC is very welcome and much appreciated. Now on to the next challenge!"
Nick Baldwin WSDP
Specialised Diploma in Landscape Photography
Assessors' Comments:
The overall presentation of the panel works really well. Classic panelling using 3 tiers presents good design, harmony and balance. Considering that Nick took these whilst doing long walks and constantly on the move, they are of very high quality. The lighting works well providing a good depth to the landscapes, for example, no. 4. No. 12 shows a good perspective along with no.7 with both using a firm 'lead-in line' to take the eye into the image. Overall there is evidence of personal input and style creating an interesting panel, which is up to the standard required for the Specialised Landscape Diploma.
Nick writes:
"My twin passions are being in the big outdoors and trying to take photographs that capture the magic of the countryside. When I joined the Club I was still struggling to make good landscape images. I started last winter and worked through the spring and summer to amass a large number of images in a variety of styles. It was then that the real value of the diploma process kicked in when I got invaluable advice from Eric on how to rationalise my images and create an effective panel, which I then tested on Martin. Seeing my final 15 images in the panel made me realise that I was finally beginning to capture the magic of the countryside."
Sue Abbott LRPS WSDP
Specialised Diploma in Creative Photography
Assessors' Comments:
An adventurous panel with a splendid and diverse selection of imagery showing a wide range of techniques, in a presentation full of vivacity and impact. There are no weak images - all pictures are interesting and successful, not only as individual prints but also as a strong synergistic contribution to the overall appearance and harmony of the panel. The presentation reveals strong evidence of a personal style coupled with a very imaginative use of creative techniques. The panel has many intriguing images which evoke a sense mystery.
This was remarked upon as being a good example of a very successful WCC Creative genre panel and highly worthy of the Diploma.
Sue writes:
"I absolutely love taking photographs. My hobby started in 2008 when due to a cancelled holiday I enrolled on a six week photography course.
Too often people look at an object and that’s all they see. My panel shows examples of how I look at objects. I want to inspire others to look at everyday objects in a different way. My Creative Panel shows how I like to transform the ordinary into something that will challenge the viewer. Enrolling for a Diploma has made me concentrate on my photography. Instead of taking photographs, which I love, I focused on my Creative Panel. I had wonderful support from Clive, who encouraged me all the way."
Barrie Glover WSDP3
Barrie is the first WCC member to successfully complete three WCC Diplomas in Photography, as reflected in the 'distinction' 'WSDP3'.
I had done very little printing until embarking upon this project, all of my work prior to this was done for me by a commercial printing company. After buying a new Epson ET - 7750 on impulse at the Photography Show I decided I needed a new challenge so began to learn more about printing techniques.
The help I received from club members was invaluable in the early stages of my work, my sincere thanks go to Martin and Clive for their understanding and guidance, I would have struggled without them.
For more information about Barrie's Printing diploma panel please click here...
Judy Knights
Judy presented an excellent print panel for her 'Abstract & Pattern' Specialised Diploma. The panel comprised 15 prints arranged as three lines of five. The assessors were most impressed and excited by the standard of work, as well as the imagination and coherency of the panel.
Assessors' Comments:
- Well panelled and the square format is very attractive.
- Thoughtfully conceived with all images relevant and well-related. Panel illustrates variety yet remains cohesive.
- Beautifully printed and mounted.
- The textures are quite velvety, the colour palette reminiscent of richly brocaded fabrics with jewel-like tones.
- The panel viewed as an entity possesses an aura of creative intentionality.
Judy writes: "After a difficult year or so I felt my photography needed ‘rebooting’! This was around the time that Clive instigated the Club’s Diploma scheme - so I signed up for the ‘Pattern & Abstract’ Specialised Diploma. I know I wanted to be taken out of my ‘comfort zone’ - but goodness - did I struggle at the start! Without Ruth’s encouragement I could well have given up, it was only after I bought an iPhone and started working with the apps that things became more ‘exciting’!! I was thrilled with the way that quite ordinary images could be combined to produce a new vibrant image quite often with no recognisable connection to the originals! I am so pleased that the diploma assessors liked this panel as I really enjoyed working on it - eventually!
I really would recommend taking on one of these Diplomas - it is an excellent way to improve or completely change your style of photography".
Gill Haynes - added January 2019
Assessors Comments:
- Good sense of depth, colour & seeing
- Excellent in terms of composition, exposure and interest
- Evident skills shown to coherently 'panel' the images
- A well balanced panel with a good mixture of landscape subjects.
- Printing and mounting of the highest quality
Gill's Thoughts
I was lucky enough to spend much of my childhood in the Somerset countryside and I grew up with a love of its landscapes. The Diploma Scheme gave me the wonderful opportunity to learn how to photograph such scenes. Through friendly advice the Club's Landscape Advisors explained the principles of composition and demonstrated how to use tonal management in order to bring pictures to life and allow them to express a mood or a narrative. They also reviewed my work offering kindly and constructive criticism.
It has been a very positive experience and I'd certainly recommend the Diploma route to anyone wishing to improve their photography.
Heather Mann
Assessors' comments:
- Good variety of subject matter
- Accurate focus
- Good separation of subject from background
- Appropriate environmental details
- Attractive presentation and choice of framing
Dick Sabey
Dick Sabey has recently gained a WCC Specialised Diploma for his AV submission - Worcestershire Bridges. Listen here...
Barrie Glover WSDP2 - Audio-Visual Diploma
Here are some of the stills from Barrie's AV Diploma submission. Click on an image to enlarge and show slideshow controls.
Barrie Glover WSDP
Harry Wilkie
Assessors' comments:
- A splendid variety of subjects from insects to mammals
- Excellent control of macro photography
- Good choice of the 'critical moment'
- Excellent colour harmony
- Lovely balanced presentation
Heather Mann
Assessors' comments:
- Good variety of subject matter
- Accurate focus
- Good separation of subject from background
- Appropriate environmental details
- Attractive presentation and choice of framing
Successful submissions from Paul Minshull, Greg McLoughlin and Dick Sabey added February 2018
Diploma Successes Continue...
Paul Minshull
Some comments from the assessors:
- Good illustrations, with a variety of subjects.
- Appropriate and balanced mix of subjects included architecture, animals, portrait and an action shot.
- The fair-ground ride shows excitement and real enthusiasm from the subjects.
- A well caught moment and interestingly positioned in the frame.
- Central abstracted mono worked well.
Paul's thoughts...
Like many amateurs I have been happy to bump along taking pictures for years. Some in my opinion good, some not so good. I joined the WCC a couple of years ago and found that I lacked many of the basic skills. Competition nights were a particular wake-up call. When the Diploma scheme came along I had two choices: carrying on as before or break out into the unknown and have a go. The experience was at times challenging to say the least as I could not use any of my previous images, I had to go out and start again. It took a number of months to come up with my first five images. By September, I had what I thought were 10 reasonable photographs to work on. After discussions with my mentors, I realised I had more work to do to create a balanced set. Eventually I made it. A big thank you to Maddy and Clive for their time and patience, as well as other members of the Club who kept me going.
Greg McLoughlin
Some comments from the assessors:
- Good panelling and very well presented.
- All images are of good technical quality, showing an attractive and wide variety of subjects.
- The spontaneous environmental portrait of the couple was captured at a good moment adding personality to the subjects.
- The Intentional Camera Movement created an interesting and balanced abstract.
- Malvern landscape works well with its moment of dramatic lighting.
Greg's thoughts...
Whilst the diploma has at times challenged me it has been an opportunity, not just to gain more skills, but to look at my photography in new and interesting ways. What a great innovation the club has made with the diploma scheme, I can't recommend it highly enough. I cannot finish without praise for the mentoring. Thank you Clive and all the members of the club whose little chats have given me confidence.
Dick Sabey
Dick Sabey has recently gained a WCC Specialised Diploma for his AV submission - Worcestershire Bridges. Listen here...
Diplomas from Catherine Lane, Val Dawson, Ann Hoath & Keith Norrington
From Clive Haynes FRPS, WCC Diploma Scheme Co-ordinator
"It was good to see four diverse panels which successfully illustrated the craft skills and 'seeing' required for this level of photography, plus evidence of an individual approach. The four successful participants had worked hard and taken advantage of advice and support given. They are now ready to move on to the next level and choose a Specialist Topic within the scheme. Our hearty congratulations to them all."
Catherine Lane WGDP
Val Dawson WGDP
Ann Hoath WGDP
Keith Norrington WGDP
Harry Wilkie WGDP
